Varia
These pieces serve as studies, fragments, self expression or moments of exploration—sometimes intimate, sometimes raw, but always part of the larger dialogue.
I see more with my eyes closed
A series on relativism, tracing the contours of perception and the fragile boundary where the tangible meets the mystical.
From left to right: 2024, acrylics on paper, A3
2024, acrylics on canvas, 20 x 20 cm
2024, acrylics on paper A3
2024, acrylics on paper A3
Deconstructing Bodies
Deconstruction and distortion merge into form—the raw translation of bodily felt emotions, where the intangible takes shape and fractures into presence.
2025, clay, acrylics, epoxy, 20 x 9 cm
Waste your time! 2023, charcoal and mixedmedia, A3
Wir führen Kriege, um Frieden you schaffen. Merkwürdig. - oh how peaceful. 2023, charcoal and mixedmedia, A3
Untitled
An extension of a recurring figure that has lived in sketchbooks for years, now given three-dimensional form. Fragile, exposed, yet armed with spikes, it embodies the tension between vulnerability and self-defense. Once a reflection on misunderstanding and prejudice, it has grown into something more intimate: a manifestation of exhaustion, of feeling too fragile to care for oneself, yet still standing. The piece questions how we perceive weakness and resilience, how we protect ourselves when being seen feels as dangerous as being invisible.
2025, clay and acrylics, 20 x 8 cm
Untitled, 2024
Collage, 60 x 41 cm
Wir sehnen uns nach Leiden - We long for suffering, 2024
Aacrylic, oil pastel, tape and flour on canvas, 44 x 30 cm
Left to right: Untitled, 2023, Intaglio print, A5
The Academics, 2023, Intaglio print, A5
Take care of your tongue, 2023 Intaglio print, A5
If you push it down hard enough it will stay there, I promise, 2024, mixedmedia, A4
2024, mixedmedia, A4
As humans, do we inevitably ruin everything we touch? 2024, mixedmedia, A3
The Metamorphosis, 2023, A5